Showing posts with label smithsonian american art internship. Show all posts
Showing posts with label smithsonian american art internship. Show all posts

Monday, October 14, 2013

Thoughts on: Museum Frictions Introduction

I wanted to share some of my reading on museum theory; maybe I can add something to the analysis or get some suggestions for my writings.


Museum Frictions: Public Cultures/Global Transformations
Introduction


Summary and some questions posed towards pages 1-13 article.






Globalization


"We accept that recent decades have seen increasing speed, growing intensity, and multiplication of directions of extranational flows, processes, and relationships that are called 'global.' But we also want to acknowledge that greater integration of the globe, either in cultural or economic terms, is not the necessary endpoint of globalization, which can produce uncoupling and isolation -- the loss of opportunity -- as much as it can produce new relationships and opportunities." (pg 5)

Globalizations is not an inherent good. Globalization is driven by Western colonization and faces very little as means of analysis from the mainstream public. 

  • What/where/when is global?
  • Who/what/where is excluded?
  • Who benefits from their exclusion?


Blockbuster Exhibition


The blockbuster exhibition is an exhibition designed to please the public, usually with broad ideas and already popular objects. A focus on universalist or humanist connections means that the public can relate to the objects and their famous owners without deep learning or internal searching. The blockbuster exhibition usual enjoys a international tour.

"But international blockbuster tours rarely, if ever, reach so-called less developed countries, which from the organizers' viewpoint lack both the funds that such exhibitions require and a sufficiently elaborate infrastructure to support them." (pg 12)

  • Who are the organizers? What is the 'elaborate infrastructure?' 
  • How do the organizers and museums benefit from keeping these tours from reaching less developed countries?
  • Who built the infrastructure? When? How?
  • Are less developed countries actually incapable of funding these exhibitions?
  • Do developed countries have a responsibility to have the exhibitions tour all of the world?
  • What are these funds? How much are these funds? Who supplies the funds? 
  • Why don't organizers think funds would be supplied to less developed countries?

Reinstallation of permanent collection


The reinstallation of the permanent collection parallel the blockbuster. Museums seek to gain and audience by drawing attention to their rarely seen items; biennial exhibitions also return focus to certain aspects of a museum's collection.  



Exhibitions as legitimacy


Both of the "blockbuster" and "reinstallation" exhibitions are signs of the resurgence of museums as arbiters of legitimacy. 

Communities seeking to establish their cultural identity turn to museums for both a venue to share their arguments and a venue that lends them safety and legitimacy. Plural societies have few venues for citizens to gather information about cultural identity without the obvious stamping of bias. As museums' bias is often overlooked and their stand as unbiased collections of objects and knowledge, the public turns to museums to gain information and approach the public sphere for these issues.


Public controversy


"The growing integration of new media into museum and heritage practice has resulted in a certain democratization of access, with collections and exhibitions available in virtual form in homes, school and elsewhere, and it has provided the basis for cooperative ventures among institutions. Yet it simultaneously creates new barriers defined by digital divides both within and among countries." (pg 13)

The two main ideas:


  1. The internet and new media increases audience which automatically increased public controversy
  2. The internet and new media created barriers between those who could access the tech and who couldn't which created controversy.
But a few questions:
  • "Yet it simultaneously"- What is 'it'? Who responsible for 'it'? Is 'it' simultaneous?
  • Is there more controversy or is the controversy more public?
  • Is the audience reached by the internet and new media different than that of old technology?
    • If not, what is it about the method of the technology that creates controversy?
    • If so, who is being excluded? Why?
  • Does the audience reached by new media have different goals or expectations of museums than those who had access before?
  • Is the cooperation beneficial? To whom? Is the cooperation open or a cabal?
To help you consider the effects of technology on traditional heritage, try this article: 
A good reading on whether technology inherently changes what's being transmitted, especially with digital technology.

How can this be applied to museum spaces and publications?







Tuesday, August 6, 2013

Amazing Smithsonian Comment: My thoughts in response

I would first like to recommend this amazing article from Jezebel: Don't be the Intern Your Fellow Interns Hate. Having read this article, I started to scroll through the comments and I ended up stumbling on an amazing one from Chasmosaur100. She was a volunteer intern at the Smithsonian.

I implore you to read her comment. She shares some great information on how to balance an unpaid internship with a paid job, make a good impression, and to set some strong boundaries.


Read more for my drawing out of key points and response based on my experience as a Smithsonian intern.




Boundaries



Also working at the Smithsonian in an unpaid internship, I've found that it can be important to set a clear schedule and make clear that this is so that you can work another job, not to go hang with friends. My position was fairly flexible in the sense that I staff events after hours. Those "extra" evening hours can be subtracted from the usual business hours as I see fit.

Be clear from the beginning what hours you can work, how you can be contacted, and follow through on these commitments. Keep in mind that a company that doesn't respect your boundaries as an intern likely won't respect them as an employee either.


Menial tasks



Her willingness to do menial tasks is something that all interns need to embrace. It makes a good impression on the staff; they really are grateful. Simple tasks are often the stepping stones to bigger ones. If you can't be trusted to sort mail, how can you be expected to write it?

These tasks also aren't difficult. Administrative work does require attention to detail and time, but it's something that most people can do quite well if they just dedicate themselves to it. While it might not be the most educational, spending a few hours in front of the copier is not difficult. As I joked with one staff person who was reluctant to give me a copying job, it needs to get done and I'm as good at standing in front of a machine as any paid employee. Dull low skill tasks should be balanced by mentorship, complex tasks, and (hopefully) pay. Get through it and do it well.

The corollary to this is that you are not to good for any job or task. You are not too good to copy, fold, print, or even take out the trash. I really don't understand how some interns think they're too good for certain tasks; they have to get done.


Relationship


Due to the good relationship that she made with the scientists, she was invited to go on a three week research trip. What an amazing opportunity! Creating a relationship with fellow professionals in your field is an important part of any internship.

Creating an good relationship can make a world of difference for what doors open to you. People want to hire someone that they can work with and chat with in the office. Social skills and building relationships is an important part of others' perceptions of you. I personally struggle with this as I'm an introvert. But doing your best and finding a niche that fits you can work wonders.

She found that her sense of humor and chatting over lunch helped her to get a good relationship with the staff, well backed by her competence. I also find that lunch is a good time to chat. In public programs, I often stay after the program to help take down and chat with other staff and volunteers. While I'm not the chattiest person, I make an effort to show that I am there and interested in others.



Tuesday, July 30, 2013

Internship advice

I'm going to do a few posts to provide advice for interns. I really struggled when I first got my internship with all sorts of questions. This is certainly natural: most minimum wage jobs and academic settings are a completely different work paradigm than an office job or internship.

These posts will provide some basic advice for interns, from starting out to finishing up.

These are a few key approaches to be an amazing intern.



Attitude: Interview


Your internship is really just a very long interview. Receiving an internship is just getting your foot in the door; you still have to continue to be an amazing potential employee. You haven't made it in yet. While you should be proud of landing the internship, you should realize that this is just the first step to making a good impression at the company and with your supervisor. Even if it seems that you will be likely give the job, look further: you can still see this as an interview for the next job that you apply for or the promotion that you will want.

Much like an interview, every day you should be on your best behavior, looking out for pitfalls and opportunities.


Thank you letters


Gratitude is an amazing thing to demonstrate. People are always happy to help someone who take the time to pat them on the back and return that help. Especially in well established companies and those jobs that gave you your first experience, gratitude for the opportunity to work is expected.

Write thank you letters for being interviewed, for recommendation letters, for being mentored, for the opportunity to work. If you can, give back some sort of value to the person who helped you. This could be sharing a bright idea that they inspired, pointing out an opportunity for funding, or offering to put them in contact with a professor at your school who you think they would get along with. They helped you so you should do your best to help them.

Don't discount what you can do to help them! These small acts coming from you now will signal how truly motivated you are and that you will be an important professional connection.

Thank you letters should be well written in content and put on nice stationary. An email will not cut it.

Proofread and Perfect


When you first get an assignment, ask questions about it. Try and get a sense not only of what you are asked to do, but why and what your supervisor truly wants. Don't pretend like you know what you're doing. It's better to ask questions than make mistakes.



Here are some useful questions:

Basic details
  • Would you like this saved as a pdf or word document? 
  • Should I print this in color? 
  • Who should I copy on this email?
  • When do you want this by? 
Conceptual questions
  • What is the target audience of this project/publication?
  • What is the goal of this project/publication?
  • Do you have an previous examples?
  • How was this program developed?
  • What is the latest innovation for this program?

Work quickly and efficiently but make sure to keep up the quality of your work. Proof read everything you do. The best way I've found to proof read is to print out everything and read what I've written multiple times.

Share ideas and innovation

Having asked meaningful questions about the project, think about the project. How would you run this project? What could be added to the project? Where would there be problems?

Once you know what is wanted of you and what is being asked of you, do both and add your own spin to it. If you can, add some sort of innovation to the task. Are you making an event program from Word document? Make the program in Publisher; explain to your supervisor that it will be easier to print. Create several designs for the event program, designs that fit with the feeling the event is going for. Do everything you can to make a perfect product.

I also ask other coworkers to look things over or bounce ideas before speaking to my supervisor. This shows initiative and, when I credit the coworker for sharing their idea, humility and good teamwork.

The point


You are you. You can do a lot to become a better worker. But to be a truly excellent intern, you need to show yourself as an excellent worker and as someone who can add to the company.

What you add is about who you are.


If you're an amazing social butterfly and spend tons of hours running events for your sorority, take that to your job. Be Elle Woods. If you're a quiet dreamer with tons of ideas, work them over in your mind and then share them. Take your inspiration from the imagination and rectitude of Tesla.  If your social skills are so so, but you love the technical side of things find an office that understands this, find a task where you technical skills can shine as you work independently, find your niche.

You can't be happy constantly changing who you are; you can't be a good worker if you hide your best aspects.





Tuesday, July 9, 2013

Who's who at an internship

It can be really difficult to start a new job, especially an internship where you know that you will be relying on the good opinions of others to get recommendations or job offers.

Of course different organizations will have different people and different organizations of power. But this is a good rundown of who you'll probably meet at a your internship.

Read more to find out Who's Who at an internship and a few hints about who you are!




Intern supervisor

You've probably already had plenty of contact with this person in the process of getting your internship. The intern supervisor most likely is in charge of all of the interns in different departments.  This is the person that you should touch in with periodically; most likely they'll be the one that schedules your meetings and trainings. If your supervisor has any problems with you... well, the intern supervisor knows. And lets you know too.

The intern supervisor is also generally the person you go to if you are having any difficulties. If your access badge hasn't come or your supervisor is asking you to work 50 hours a week, you should talk to the intern supervisor about finding a solution. They serve as a good mediator between you and the larger company, making sure you get proper respect and treatment. The intern supervisor will also have final say over your recommendations and your review.

Direct supervisor

Your direct supervisor is whoever is in charge of the office you are in. This supervisor is the person who directly assigns you tasks. Some supervisors are happy to have interns and will truly take you under their wing. Others will see you as an imposition and do their best to ignore you, despite your desire to work. Still others will simply see you as another pair of hands and give you a never ending line up of dull tasks.

You don't have much control over how your supervisor decides to treat you. You do have control over how you react. Always be polite and professional. Do your best to ask for challenging work; when you complete a task, check with the supervisor that it has been done properly and ask for more work. If you are curious about something, take initiative to research it and then ask if that information is correct.Your direct supervisor will hopefully see your motivation and creativity as an addition to the office and take advantage of it.

Obviously, your direct supervisor is important: they are going to be the one giving you referrals and having a large say in the decision of whether to offer you an opportunity to return. Try to impress them by working hard and working smart! If you'll lucky, your supervisor will appreciate your dedication, fostering a great relationship.


Coworkers

You may have a closer relationship with others in your office. Having a coworker who has taken you under your wing or who you can consistently turn to for assignments can be a really great thing. I find that other coworkers who still remember what it's like to be an intern can offer a great working relationship. If you have questions about office politics or how to relate to your supervisor, your coworkers can be a good resource for such questions.

Do remember: Coworkers are still above you! Don't get too friendly with them or forget their place above you!

Also remember that coworkers have more loyalty to their supervisor than to you. If you choose to gossip about your boss to them, don't be surprise if that gets back to your boss. Offices are small places, made smaller when people get too cozy with one another. It's not bad to make friendships, but remember to respect the workers who are above you.


Fellow interns


I think that maybe the best thing about an internship is meeting other people. Your fellow interns are also at college, with an interest in same career field as you but they have a totally different perspective to offer you. Talking to fellow interns can give you a sense of what the field you're in is like, the personality of your future coworkers, and even inspire some pretty amazing goals for once you head back in the fall.

Being open and respectful to your fellow interns is the best thing you can do. Do your best to avoid competitive comparisons and instead focus on the common ground. If you're all in an unpaid internship, focus on exchanging tips for cheap lunch vendors or easy tutoring gigs rather than competing to see who has the best or worse living condition. Just being pleasant and constructive can go a long way.

After the internship is over, see if you can meet up with or at least email a few of the interns that you connected with. Ask them if they're doing alright, when they're moving back to campus or what they though of the internship. If you feel an honest connection, such an outreach could start a valuable friendship.



Volunteers or customers


On the offhand chance that your work will have you dealing with volunteers or customers, remember to be kind and generous with them. Be as helpful and respectful as possible to everyone, no matter how inane (or insane) they may seem. If they are a regular of the program, their input may be very important. Comments from customers or those who volunteer can mean a lot to a small organization- so a compliment for you from someone may be very valuable.

You may rank slightly above volunteers or be trusted to supervise them. But remember: you can get fired. A volunteer can't. So really, who's in a position of power? If you are put in charge of volunteers, try to be as polite and respectful as possible. And don't delegate everything to them.  Everything they do, you should do too and work twice as hard at it.

Who's Who and Who are you?

You are who you are. You are a hard working and motivated person- so show that off! Work hard while you have the opportunity. If you have a brilliant idea, work to make that idea have an impression on your company. Be the best that you can be and the world will take notice.

One thing that I would say: I know that a lot of people seem to think that networking is the end all be all. There's this image of networking as the ability to effortlessly charm hundreds of people and inquire on the intimate details of someone's life that you've gleaned from an office party. But that's really not how things work in an office. Networking is about the daily encounters: asking someone if they're alright when they're having a bad day or making the effort to offer to help with something when someone seems particularly stressed along with doing your work as well as you can.

Tuesday, June 25, 2013

Internship Update

I wanted to give a little update on how my internship has been going.

Read more to find out how things have been going!



What I do


I'm currently in the Public Programs Office; I'm working on an assortment of projects along with staffing evening events. Most projects are small internal paper work things, organizing things in Excel, or helping with the Family Days. I kind of want to work through a few mini-classes in Excel. My experience with tutoring and teaching has been really useful for prepping for the Family Days. I think the most exciting part of the internship is staffing the events: it gives you a real sense of the role the museum plays in the community.

Where I am


I'm in the Public Programs Office, External Affairs. The Public Programs Office is really great. Everyone is super friendly at the Smithsonian. That was one of the first things that struck me about the environment. But this office just goes beyond, filled with enthusiastic and cheerful people. I'm amazed by the scope of these women's work: they do so many programs for the American Art and Renwick. And there are just five of them!

The space itself is an office in the Smithsonian American Art Museum offices in the Victor Building and the museum itself, which is right across the street. This is all right outside of the Gallery/Chinatown metro stop; I just ride the yellow line straight in. I also sometimes make my way to the other Smithsonian museums for research, trainings, special events, or just for my own pleasure.

What I'm learning


I'm trying to take the time this summer to learn as much as I can about the Smithsonian and it's programs. I want to leave with a strong understanding of how museums organize themselves and how individuals can best help a museum. I'd love to see how my understanding of the museum's role for the community changes as I help to staff events rather than just attend them as a guest.

I also want to learn more about professional development; I feel very disconnected at MIT since we don't have a strong program for Art History or Studio Art. Hopefully, I can take the resources and people to find out and connect to the career of conservation.

Why I'm sharing


I'm going to start writing about my internship; I do want to give it a little bit of time so that I can process my experiences and deliver the best information. Also, there is the consideration of privacy and respecting the museum. I doubt that any posts on proper attire or behavior would brush against that, but I need the time to go over things and make sure they are fully in line with the museum's policies.

I might also write about interesting things that are in the museum's catalogue. As I do research, I come across all sorts of neat little gems within the catalogues. Not to mention that it would help to expand my knowledge and yours too!